know what this plant is. It is one of the first to put on green leaves and bloom in the spring. It seems to be a native plant. The flowers are tiny, tiny on a long stem clustter of flowers. Leaves are long and stripped. Not much to look at but at least it doesn't have stickers on it.
Friendship is like earthenware: once broken, it can be mended; love is like a mirror: once broken, that ends it ------ Josh Billings
Wednesday, November 28, 2012
Desert Wild Flower
I don't
know what this plant is. It is one of the first to put on green leaves and bloom in the spring. It seems to be a native plant. The flowers are tiny, tiny on a long stem clustter of flowers. Leaves are long and stripped. Not much to look at but at least it doesn't have stickers on it.


know what this plant is. It is one of the first to put on green leaves and bloom in the spring. It seems to be a native plant. The flowers are tiny, tiny on a long stem clustter of flowers. Leaves are long and stripped. Not much to look at but at least it doesn't have stickers on it.
Tuesday, November 27, 2012
New Mexico Sunset

The view from my campsite at Rockhound State Park.Southeast of Deming, New Mexico.January 6, ...
Saturday, November 24, 2012
Zipcar... Not at All Like Bikeshare
Here is how it works: First you buy a yearly membership. It is worth noting that some employers have programs for employees to try it free, which was the case with us - but otherwise it's $60 per year plus a $25 application fee (so essentially you pay $85 to sign up). You are then able to rent a Zipcar by the hour at rates that start at $7.50 per hour. The rate depends on the type of car you need. So, for instance, a compact sedan might be $7.50, but a truck or SUV would be more like $12. You can also rent a Zipcar for an entire day, and the daily rates start from $69. To use a car you must reserve it, which can be done online or via smartphone. You specify in advance the exact time you will be getting and returning the car, and when finished, you must return the car to the same location from which you got it.
Scenario 1: We need to go to our photo studio or to a photoshoot in a far-off location, and to bring a bunch of enormous equipment with us. We will then be staying there for 5 hours working, maybe longer - depends how it goes. And it's the weekend.
Problems: We'd have to rent the car for en entire day, because at the hourly rate it would not be worth it. Either way, the rate would be quite high, because we'd need a large vehicle. Additionally Zipcar's weekend rates are higher than weekday rates, which would make the fee greater still. Car rental makes more sense than Zipcar.
Scenario 2: There is an urgent situation and we need a car right away.
Problems: We check the Zipcar reservation site and there are no cars available in any locations within 2 miles from us for the next hour and a half (This is true: I just checked). We also do not know for how long we need the car - could be 45 minutes, or could be 3 hours.A taxi makes more sense than Zipcar.
Friday, November 23, 2012
Badlands :: A Prairie Dog Town
Wednesday, August 24th - - After the bison had moved along, so too did I. Traveling a short distance on the gravel road, I stopped at the Prairie Dog Town and watched the little critters for a while. Some were rather close to the road but as soon as I opened the door and stood up they all scurried off to their burrows. So I got back inside Van Dora and waited a few minutes until they decided to come back out. All of these photos are cropped, some more so than others.

Youngsters. Not sure they should go down into the safety of their burrow or stay outside. A second later and they had disappeared.

Oftentimes you see more with the camera (thank you, whomever invented the zoom lens!) than you do with the naked eye. This little fellow, and the ones below, were quite a distance from a burrow and fairly close to the road, sampling the morsels provided by Mother Nature.




It was so much fun watching these little guys. They were quick to scurry off in every direction at the lightest noise – a cough, a clearing of the throat, even sometimes the sounds of the camera.

Youngsters. Not sure they should go down into the safety of their burrow or stay outside. A second later and they had disappeared.

Oftentimes you see more with the camera (thank you, whomever invented the zoom lens!) than you do with the naked eye. This little fellow, and the ones below, were quite a distance from a burrow and fairly close to the road, sampling the morsels provided by Mother Nature.




It was so much fun watching these little guys. They were quick to scurry off in every direction at the lightest noise – a cough, a clearing of the throat, even sometimes the sounds of the camera.
Thursday, November 22, 2012
Quiche Lorraine
Quiche Lorraine, originally uploaded by ParsecTraveller.
I just made this quiche lorraine from a recipe found in a 35-year-old French cookbook, La Cuisine Toute Simple.
The quiche was actually pretty good. Just make sure you use plenty of Gruyère cheese - that makes for the best flavor!
Sunday, November 18, 2012
Wiley and the Rabbit
I was taking photos of the hot air balloons the other day when I saw our cat, Wiley, coming across the yard with something in his mouth. I snapped this shot and was surprised it actually came out. At first I though it was one of the big rats that live around here. Wiley ran to the back porch and I followed him. It was at the door when he put the creature down that I realized it was a young cottontail rabbit. I grabbed Wiley so he couldn't get the rabbit again and the little rabbit ran off the porch and Wiley slipped out of my yards and the chase was on again while I yelled at the cat to leave the rabbit alone and the dogs chased after the cat. (Wish someone had filmed it with a video). In seconds the rabbit had gone through the fence to the neighbors side. I caught Wiley and put him in the house then went back out to check on the rabbit. I hadn't seen any blood on it and it hadn't acted as if it was hurt by being hauled around by the cat for which I was thankful.
The dog at the neighbors had
I told my neighbor about the experence and she wished someone had filmed it too. I just hope Wiley learns I don't want his 'gifts' of lizards, birds, and rabbits. He had given a live, un-injured bird to my husband a few days before.
Friday, November 16, 2012
Three O'Clock Rock Silent Running ..
Steve and I made our second weekly trip to Darrington to Three O' Clock Rock. This time to climb Silent Running (II, 5.10a/b.) We got there a bit earlier this time and welcomed the cooler temps.
Now, prepared with watches we were able to make the hike to the base in 30 minutes. (It also only took us 1.5 hours from Steve's house to the trail head.) After reaching the base we started gearing up. Then Steve led out on the first pitch. This was agreed on earlier to give Steve the lead on the final crux pitch which he had not previously climbed.
The first pitch was nearly a rope length of easy climbing. (Almost running up the slab.) Steve brought me up and it was time for the second pitch where the difficulty increased significantly. Well, at least you had to be weary of where you put your feet, and there was no more running. I led the second pitch on some nice friction moves where it got harder through the last two bolts to the belay. I arrived at a nice belay ledge, and brought Steve up.
Steve got the lead on the next 5.9 pitch which started out with what looked to be great rock. However, it was polished and slippery. Foot placements were critical through the first four bolts or so. Then the route moved right a bit and the traction was phenomenal. Completely different character for the second part of the pitch. I followed him up and was off on to the next pitch.
From this pitch on, the first bolt was often a bit off the belay. (In this case, about 10-12'.) After clipping a few bolts, I could no longer see any above me and in a shaky stance decided to look at the topo. In the difficult stance for viewing, I accidentally looked at the following pitch which moves right after a few bolts. Since I could not see any bolts, I started to move right where people had clearly been before. After I moved right, I was stuck out on a ledge and could see the "next" bolt up and to my left about 15' or so. (There was a hidden piton that I could not see about 10' above the last point I was on route.) So I yelled to Steve about getting back on route. I put a cam in a weak flake and decided to head straight up to a ledge system that would bring me to the last bolt on the pitch. The climbing was easy up to the ledges, but was unprotectable. After going up about 20' I put another cam in a flake, and started leftward on the ledge system to get back on route. After crossing the ledge, I used some quartz dikes to gain the bolt and return to the pitch. The final climbing of the pitch went up a fun small gear protectable lie back past a bush to the anchor. Once at the anchor, I could see where I went wrong. Steve pointed out to me the piton as he made his way up my off route excursion.
Steve led off on the next pitch which was more of the same to start with, then some climbing up some creaky flakes to get to the anchors.
The penultimate pitch is where the fun really started. I led off up and over an overlap and mostly easy terrain while moving leftward. Then the the slab steepens. There is a section of steeper slab with widely spaced (10+') bolts going up. The bolts are closer to the left of this narrow slab near an inviting grassy corner. When I first arrived at the steeper section, it looked as though the right hand side would also work, but reaching the bolts may have been difficult. So I followed the bolt line up friction moves to another overlap and a piton. I clipped the piton and worked my way over the final overlap to the anchor, a hanging belay. I brought Steve up to my position and we readied the rack for the next pitch. (The guidebook stated gear to 4" for the final pitch, so we pulled out the 3 & 4" cams, but Steve didn't need them.)
Steve left the belay to clip the first bolt on the final pitch. There were a few moves on a slab protected by a bolt before having to surmount a double overlap. The first overlap was not as high, and was protected by a bolt. The second was stepped, and higher and needed to be traditionally protected. Steve made his way through the overlaps and I asked him if he felt they were the .10b portions. He didn't think so. He continued up onto a slab where he took on a bolt before reaching the final flake. He told me his feet had had enough and he needed a rest. After resting on the rope briefly, he made the easy moves to the flake and was shortly at the belay. I found the moves through the overlaps to be difficult and required me to bounce to make the moves. They were high steps and required manteling as there were no holds above the overlaps. Once past the overlaps, I used any possible rests before gaining the slab that tired out Steve's feet. I moved up the slab quickly and deliberately. I was soon at the fun flake moves to finish the route. Once there, we set up our rappel and started rapping the route.
The rappels were uneventful, except for a serious lapse in judgement on my part where we reached one of the larger rap ledges and I forgot to clip in before undoing my rappel. That will never happen again! Yipe.
I liked this route better than Total Soul from last week. I think the line was more logical and the final two pitches were really 3 star. (Maybe four.) At times Silent Running seemed more run out than Total Soul, but it was usually on easier ground. It is a slightly shorter and easier route, so it is a little quicker to finish than Total Soul if you have less daylight to work with. It was more enjoyable too, because last week's "warm up" on Total Soul made the moves on Silent Running pretty familiar to me and it feels like I may have gotten rid of the rust from not climbing for a while.
On the way down (rapping and the drive out) we discussed with each other that it seemed darker than the previous week. We knew we were getting out a little earlier and there were no clouds in the sky. We couldn't understand why. I thought maybe because it was so hot the previous week, that being in the shade did not make a difference. It wasn't until we got back into Darrington that we had our answer. There was a fire on the other side of Whitehorse Mountain. We had seen the forest service helicopter in the morning at a makeshift helipad near highway 530. (But there were no signs of smoke in the morning.) We stopped to see it landing and it appears there were fire fighters from Targhee NF on the scene. After snapping a few pics, we drove home.
Fire on the Mountain
My pics are here.
Now, prepared with watches we were able to make the hike to the base in 30 minutes. (It also only took us 1.5 hours from Steve's house to the trail head.) After reaching the base we started gearing up. Then Steve led out on the first pitch. This was agreed on earlier to give Steve the lead on the final crux pitch which he had not previously climbed.
The first pitch was nearly a rope length of easy climbing. (Almost running up the slab.) Steve brought me up and it was time for the second pitch where the difficulty increased significantly. Well, at least you had to be weary of where you put your feet, and there was no more running. I led the second pitch on some nice friction moves where it got harder through the last two bolts to the belay. I arrived at a nice belay ledge, and brought Steve up.
Steve got the lead on the next 5.9 pitch which started out with what looked to be great rock. However, it was polished and slippery. Foot placements were critical through the first four bolts or so. Then the route moved right a bit and the traction was phenomenal. Completely different character for the second part of the pitch. I followed him up and was off on to the next pitch.
From this pitch on, the first bolt was often a bit off the belay. (In this case, about 10-12'.) After clipping a few bolts, I could no longer see any above me and in a shaky stance decided to look at the topo. In the difficult stance for viewing, I accidentally looked at the following pitch which moves right after a few bolts. Since I could not see any bolts, I started to move right where people had clearly been before. After I moved right, I was stuck out on a ledge and could see the "next" bolt up and to my left about 15' or so. (There was a hidden piton that I could not see about 10' above the last point I was on route.) So I yelled to Steve about getting back on route. I put a cam in a weak flake and decided to head straight up to a ledge system that would bring me to the last bolt on the pitch. The climbing was easy up to the ledges, but was unprotectable. After going up about 20' I put another cam in a flake, and started leftward on the ledge system to get back on route. After crossing the ledge, I used some quartz dikes to gain the bolt and return to the pitch. The final climbing of the pitch went up a fun small gear protectable lie back past a bush to the anchor. Once at the anchor, I could see where I went wrong. Steve pointed out to me the piton as he made his way up my off route excursion.
Steve led off on the next pitch which was more of the same to start with, then some climbing up some creaky flakes to get to the anchors.
The penultimate pitch is where the fun really started. I led off up and over an overlap and mostly easy terrain while moving leftward. Then the the slab steepens. There is a section of steeper slab with widely spaced (10+') bolts going up. The bolts are closer to the left of this narrow slab near an inviting grassy corner. When I first arrived at the steeper section, it looked as though the right hand side would also work, but reaching the bolts may have been difficult. So I followed the bolt line up friction moves to another overlap and a piton. I clipped the piton and worked my way over the final overlap to the anchor, a hanging belay. I brought Steve up to my position and we readied the rack for the next pitch. (The guidebook stated gear to 4" for the final pitch, so we pulled out the 3 & 4" cams, but Steve didn't need them.)
Steve left the belay to clip the first bolt on the final pitch. There were a few moves on a slab protected by a bolt before having to surmount a double overlap. The first overlap was not as high, and was protected by a bolt. The second was stepped, and higher and needed to be traditionally protected. Steve made his way through the overlaps and I asked him if he felt they were the .10b portions. He didn't think so. He continued up onto a slab where he took on a bolt before reaching the final flake. He told me his feet had had enough and he needed a rest. After resting on the rope briefly, he made the easy moves to the flake and was shortly at the belay. I found the moves through the overlaps to be difficult and required me to bounce to make the moves. They were high steps and required manteling as there were no holds above the overlaps. Once past the overlaps, I used any possible rests before gaining the slab that tired out Steve's feet. I moved up the slab quickly and deliberately. I was soon at the fun flake moves to finish the route. Once there, we set up our rappel and started rapping the route.
The rappels were uneventful, except for a serious lapse in judgement on my part where we reached one of the larger rap ledges and I forgot to clip in before undoing my rappel. That will never happen again! Yipe.
I liked this route better than Total Soul from last week. I think the line was more logical and the final two pitches were really 3 star. (Maybe four.) At times Silent Running seemed more run out than Total Soul, but it was usually on easier ground. It is a slightly shorter and easier route, so it is a little quicker to finish than Total Soul if you have less daylight to work with. It was more enjoyable too, because last week's "warm up" on Total Soul made the moves on Silent Running pretty familiar to me and it feels like I may have gotten rid of the rust from not climbing for a while.
On the way down (rapping and the drive out) we discussed with each other that it seemed darker than the previous week. We knew we were getting out a little earlier and there were no clouds in the sky. We couldn't understand why. I thought maybe because it was so hot the previous week, that being in the shade did not make a difference. It wasn't until we got back into Darrington that we had our answer. There was a fire on the other side of Whitehorse Mountain. We had seen the forest service helicopter in the morning at a makeshift helipad near highway 530. (But there were no signs of smoke in the morning.) We stopped to see it landing and it appears there were fire fighters from Targhee NF on the scene. After snapping a few pics, we drove home.

My pics are here.
Thursday, November 15, 2012
A Sock for Your Lock?
image via thelocksock.com |
A while ago, some of us began noticing knitted "u-lock cozies" on bicycles, and I always thought it would be neat if someone were to start selling them. Turns out a Lovely Bicycle reader recently did.
The Lock Sock is a hand-knitted sock that will fit a mini or standard u-lock - its function to prevent the lock from scuffing the bicycle's frame. I think these things are adorable, but never made one for myself because I don't use u-locks.
If you do use a u-lock and are longing to dress it in a knitted sock, one of these could be yours. Leave a comment describing how you lock up your bike and include your email address, and I will pick the recipient at random. Deadline is 11:59pm tonight, Pacific Standard Time. You will be able to choose a sock from the colors available and Stephen of The Lock Sock will mail it to you directly from Brooklyn, NY.
Thanks for reading and have a good weekend!
New Legs! The Bicycle as Sculptor
Since I started riding Graham (my Rivendell Sam Hillborne), a few readers have commented that I have nicely defined legs in my pictures. I generally don't do well with compliments, but I think this particular one is worth addressing - because I have my bicycle to thank for it.
The legs are quite "new" and seem to be a direct result of riding a roadbike. Having ridden upright bicycles since Spring last year, I experienced a general increase in my level of fitness and some definition in the calf muscles, but nothing like this. Before the roadbike, the area above the knees was ...shall we say, cottage-cheeselike. Now it's long, lean muscles, and I still can't quite believe that they are mine.
The change began to happen almost immediately when I started to ride in a leaned over posture, and even in the process of cycling, I can feel the difference between this kind of cycling vs riding an upright bike: When I am leaned over, it feels as if I am pushing with the back of my thighs; when I am upright, it feels as if I am pushing with my calves. When going uphill, the strain increases, but it always remains within the bike-specific muscle group. That is, I never feel as if I am pushing with the back of my thighs on one of my loop-frame bicycles, even when going up the steepest hills.
I have the bad habit of forming theories too soon about things I do not entirely understand, so I asked an acquaintance - bicycle fit expert Kevin Saunders - whether what I felt happening is real or imagined.
Kevin's explanation was that the glutes (butt muscles) and quadriceps (thigh muscles) need the cyclist to be bent over for them to engage, so it makes sense that this should happen when cycling in a leaned over posture. Furthermore, if you are pushing down hard enough on the pedals, you are holding up your torso with your core and back muscles, which act as a resistance to the load generated by the glutes and quads. Essentially, this means that the muscles in your abdomen and back will get strengthened as well - resulting in a flat tummy and a decrease in "muffinage" - both of which I have noticed as well.
Don't worry, readers: This is not a fitness website and I do not intend to start regaling you with the details of getting in shape. But I do get questions from women about fitness, and I think that may be because they feel more comfortable asking me (a self-admitted "unathletic girl") than someone who was more sporty to begin with. Getting in shape was never my goal, but I admit it is a nice side-effect. The bicycle is a talented sculptor!
The change began to happen almost immediately when I started to ride in a leaned over posture, and even in the process of cycling, I can feel the difference between this kind of cycling vs riding an upright bike: When I am leaned over, it feels as if I am pushing with the back of my thighs; when I am upright, it feels as if I am pushing with my calves. When going uphill, the strain increases, but it always remains within the bike-specific muscle group. That is, I never feel as if I am pushing with the back of my thighs on one of my loop-frame bicycles, even when going up the steepest hills.
Kevin's explanation was that the glutes (butt muscles) and quadriceps (thigh muscles) need the cyclist to be bent over for them to engage, so it makes sense that this should happen when cycling in a leaned over posture. Furthermore, if you are pushing down hard enough on the pedals, you are holding up your torso with your core and back muscles, which act as a resistance to the load generated by the glutes and quads. Essentially, this means that the muscles in your abdomen and back will get strengthened as well - resulting in a flat tummy and a decrease in "muffinage" - both of which I have noticed as well.
Monday, November 12, 2012
Stage 01
My humble tropical garden on its first photographed day, July 21, 2006. Note that only a banana plant and pygmy date palm were present.
Sunday, November 11, 2012
Vienna's Bike Lanes in Winter
I am back in Vienna, this time for a month. The temperature here is about the same as in Boston, and it is snowing intermittently. I am feverishly preparing a talk for a big conference tomorrow, but in the meantime I give you a tour of the bike lanes near my new place:
This is a pretty typical bike lane in Vienna. The snow is mostly cleared, but this morning there were some patches of ice. Cycling on the road is prohibited in areas where bike lanes are provided.
Intersection: bicycles wait for green and ride parallel to the pedestrian crossing.
Bike lane ends: bicycles proceed on the road along designated bike route.
Continuation of bike route on the road. 30 km/h speed limit (though to my eye cars go faster). Notice the tram tracks.
Close-up of tram tracks - yikes! They criss-cross and there is basically no way to avoid them. The thought of cycling parallel to these for several blocks on an icy day fills me with dread (see this post about railroad tracks) and I did not see any cyclists on this street today, despite it being a designated bike route.
What do you think? This is a different neighborhood from where I used to live when I had my own apartment here last year, so I am still exploring it. Overall it looks like I can cycle here, and I do have access to a bike this time around. More on that later!
What do you think? This is a different neighborhood from where I used to live when I had my own apartment here last year, so I am still exploring it. Overall it looks like I can cycle here, and I do have access to a bike this time around. More on that later!
The Risky Business of Attracting Women
On my way to Interbike registration yesterday, I walked by the Bikes Belong booth as they were setting up their new poster. I snapped a picture, uploaded it to Twitter, and received a flurry of hilarious reactions - ranging from "Where does she keep her keys?" to "Find Cipo and reshoot the scene!"
Of course this is a reference to Elly Blue's "Is this thing sexist?" bike test. Modeled after the Bechdel Test for women in movies, the bike test asks:
1.Are women present or represented at all?
2. Are the women presented as active subjects rather than passive objects?, and
3. If the gender were reversed, would the meaning stay more or less unchanged? (Or would the image become hilarious?)
Showing a woman pedaling a bicycle, the poster passes points 1 and 2. Assessing point 3 is trickier. Of course a poster of an identically dressed male would look ridiculous, but that's taking it too literally. What about a young male dressed in tight-tight cutoff shorts, a plaid shirt flapping open in the breeze, and a pained, sexy expression on his strategically unshaven face? I'd consider that the equivalent, in which case the meaning would indeed remain unchanged. So I say the Bikes Belong poster passes.
Still, images of women cycling in dresses and heels seem prone to rubbing us the wrong way. It is hard to describe what brings about the sense of unease, especially for those of us who actually wear dresses and heels on a bike. Often it boils down to subtle things: A coy facial expression, an unnatural posture, a too-conveniently billowing skirt... Point is, from a marketing perspective, images designed to attract women to cycling seem inherently risky. Too sporty or gender-neutral, and they can be read as "there is no place for femininity on the bike." Too feminine and they can be read as gendered, objectifying, or downright pornographic. The line between attracting women and offending them is blurry.
And while the sphere of roadcycling seems far removed from transportational advocacy, the same basic theme arises - see, for instance, Bike Shop Girl's "The Bike Industry Needs More Women Like Liz Hatch". When speaking to Felt Bicycles later in the day, the question of colour and graphics came up as well. When I commented on the dark violet hue of Felt's new women's road model, the representative explained how difficult it is to develop a colour scheme for women's lines of bikes. On the one hand, there is now a great deal of criticism hurled at anything pink, pastel or flowery. On the other hand, gender-neutral colour schemes don't sell as well. Women want something feminine, but not too feminine. They do not want a caricature of "girl bike," but they do want it distinguished from the men's models. I have heard exactly the same thing from the manufacturers of athletic cycling clothing. There is now almost a stigma to producing a women's jersey with any trace of the colour pink or flowers on it. Yet there is demand for feminine styles. Designers have to get a lot more creative these days in coming up with those styles; hitting just the right note is tricky.
Still, I believe the bicycle industry will keep trying. With women referred to as the "indicator species" for the success of transportational cycling and with the push for more women in cycling as a sport, the pressure is coming from all directions. As both manufacturers and activists struggle to figure out how exactly to market to women, we are likely to see some interesting results in the years to come.
Saturday, November 10, 2012
Manifest's Destiny: Thoughts on Utility Bikes and the Oregon Manifest Challenge
image via Jonathan Maus/ BikePortland.org |
image via scurvy_knaves |
image via Jonathan Maus/ BikePortland.org |
image via Jonathan Maus/ BikePortland.org |
image via Jonathan Maus/ BikePortland.org |
image via Jonathan Maus/ BikePortland.org |
image via Jonathan Maus/ BikePortland.org |
image via Jonathan Maus / BikePortland.org |
image via Jonathan Maus/ BikePortland.org |
"Identity before destiny" might be a motto to consider for next year's Oregon Manifest. And one could say that the same issue faces the utility bike market in North America at large. What do we mean by "car replacement?" Are stereos and electric assist must-have parts of the equation, or is it about ease of operation and hauling capacity? And is it reasonable to expect such a bicycle to win a 50 mile race?
Friday, November 9, 2012
The Shell Shoot off, mano mano

A couple of months ago I started a project that has grown into a much bigger gorillathan anything I have done beforeon the blog.
A month ago I made my intentions public to do a side by side comparison of the newest high tech shells/jackets that I find most appropriate to my style of climbing...which is generally cold, not wet.
Once the blog readers got interested in that post, so did a few of the clothing companies. And even more gear showed up at my door.
This all started becauseI have been so impressed with the Neoshell Apoc by Westcomb that was given to me as a writer's sample. The Apocwas free so I figure if it is good as I think it is, no problemdoing side by side tests against all comers. The first side by side was with a MarmotHyper jacket. Those reviews were posted to the blog earlier in the year.
But with so many hard shell, soft shell, stretchy jackets available today I had to do more. Polartec is the culprit here producing all sorts of fabrics that make some amazing garments to climb in. Think Shoeller on steroids when you think Polartec. Not sure if I hate them or love them yet but I know they are costing me and the rest of those involved some seriouscoin. More on that in a minute.
I don't want to spoil all the fun for the field test so I'll just give you some high lights. First there will be three of us using all thejackets over a 4 day period. We'll be carryingat least3 jacketsa piece and we'll rotateover the trip so everyone gets into every jacket. Hopefully thiswill include some decent climbing and at least onegood day's walk. But I am still not sure just how many jackets we will be taking.
Besides myself, Doug Klewin, well known for the 1st complete of the North Buttress of Mt Hunter will be giving all the gear a once over. As willlong time UK alpine climber and Chamonix resident Lee Clark. Both better climbers than I and maybe even more critical of gear. Our comparisons and opinions of like gear should be really interesting.
There are a number of things we'll be field testing on just this one trip that I will eventually write up as well, crampons, ice tools, helmets, new gloves, sleeping pads, packs, boots, approach shoes,and more clothing among them. But that will have to wait for now.
The jackets I havecurrently for the field tests and reviews are:
Outdoor Research's AXIOM jacket cut froma stretch water proof breathable version of*Gore-Tex’s Active Shell* 13.7oz Large
Westcomb'sAPOC jacket cut fromPolartec's stretch waterproof breathable *NeoShell* 17.4oz XL
Marmot's HYPER jacket cut fromstretch waterproof breathable technology, *MemBrain® Strata 100% Nylon Stretch* 13.4oz XL
Patagonia's KNIFEBLADE pullover made with*Polartec Power Shield Pro*20.8 XL
Eddie Bauer's FRONTPOINT jacket that isnow discontinued, ahybrid of hard shell and soft shell technology. 17.8oz Large
Mountain Hardware's DRYSTEIN jacketcut fromtheirstretch, water proof, breathable *Dry Q Elite* 18.7 oz XL
Arc'teryx VENTA HOODY in *Gore Wind Stopper* 22.9 oz XL
Arcteryx SQUAMISH pullover•Gossamera™—100% Nylon ripstop fabric with water repellant coating
5.6oz XL

A few more may yet show up before we take off. If they do we'll give them a fair shake as well. Interesting to me when I explained what I was planning and what I wanted to test, several manufactures wanted me to test garments I didn't think suitable to judged side by side with the original coregroup. I took all comers any way and added a few of my own (at my expense) because I think it will make a better side by side comparison.
I am likely more interested in the results of our little field test than you are! Other weight comparisons can be made here:
http://coldthistle.blogspot.com//04/weights.html
http://coldthistle.blogspot.com//02/useful-metric-weight-comparisons.html
Thursday, November 8, 2012
Seeing What We Want to See
To a large extent, we all shape our own experiences of reality: We see the things we want to see and block out the things that do not fit our world view.
Walking home yesterday afternoon, I was amused to notice how much I tend to do this even when it comes to bicycles.
Both Vienna and Boston are full of generic modern unremarkable bikes, yet the ones I pay attention to are the classic and vintage bikes.
And since I notice these more, in my subsequent memories they are the ones that play a starring role in the city's "velo life".
In a similar fashion, I tend to pay lots of attention to architecture I like and ignore all the "ugly" stuff right next to it. As a result, a city or a neighborhood might consist entirely of beautiful architecture in my memories.
There are countless examples of this of course, and unless we point and shoot in a random direction we cannot take a picture without revealing our subjective biases. Our pictures reflect how we want to see and remember things rather than how they actually are. For example, several readers have pointed out to me that my "street scenes" tend to be miraculously free of cars, and indeed I seem to frame photos so as to avoid them. There is just something about modern cars that is not photogenic: they detract from the feel of the city landscape.
Bicycles, on the other hand, seem to enrich it - especially when the bicycles are nice and the cyclists are well dressed. Yes, that is a Hassidic Jew cycling through Vienna - who clearly has no problem cycling in a suit.
And here is a couple, cycling into the sunset idyllically. While of course I did not stage these scenes, you could say that I chose to notice them out of the many alternative scenes I could have noticed instead.
So, what is my point? Only that life can be filled with golden sunsets and lovely bicycles if we want it to - even on those days when it's not.
So, what is my point? Only that life can be filled with golden sunsets and lovely bicycles if we want it to - even on those days when it's not.
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